Showing Records: 161 - 180 of 3872
"Alla ridente immagine" (London: Birchall, no. 1667)
"Allegro commoso" from Sonata, op. 27, no. 1, undated, undated
The collection includes music in manuscript and published editions for solo piano, voice and piano, various solo instruments with piano accompaniment, a few chamber works, scores for ballets and plays and orchestral music.
Included in her papers are extensive notes and musical examples used in her lectures on Russian music and dance. Additional programs, notes, and some correspondence are also included.
Allegro [Handel], undated
Alms : Mezzo Soprano and Piano, To 1983
Sketches, in pencil (4 leaves)
Alt Wiener herz (Old Vienna heart), undated
"Alta ragion di stato" (London: Birchall, no. 1762)
Amadigi di Gaula, 2015
The Jerry Fuller Papers contains music scores, programs, sound recordings, photos, clippings, correspondence, publication materials, and other concert related materials. Some prominent musicians and composers represented in the collection includes William Ferris (1937-2000), William Russo (1927-2003), and Rachel Barton Pine (b. 1974).
AME Sales, Royalties, & c., 1945 - 1979
Includes correspondence from publishers, music printers and engravers, academic institutions, and performing organizations, as well as publisher catalogs
Amen in AISS : Timpani and Voices, [1984]
Full score, in ink (2 leaves); Sketch, in pencil (2 leaves)
Amen/Alleluia : Invocations for a Festival, for Mixed Chorus, Soprano Solo, Brass, Percussion and Organ, From 1992
Full score, in pencil (24 p.); Sketches, in pencil and red pencil (20 p. + 5 additional inserted leaves)
American miniatures, From 1960
Manuscript scores, business records, and correspondence that reflects AME’s repertoire of new American music by Green, Carl Ruggles, Halsey Stevens, and others, as well as the interactions Green had with many key figures in twentieth-century music, including John Cage, Henry Cowell, Charles Ives, Gunther Schuller, William Grant Still, Virgil Thomson, and many others.
American muse (SATB, Text: Stephen Vincent Benet), undated
American Music: 17th Century [notes], undated
Notebook originally in an overstuffed three ring binder with two sections. The second section was arranged alphabetically by composer name. The original order has been maintained with each document placed in a folder. The folder titles reflect the title or content of each document. Some loose notes were inserted in between pages or in the front or back of the notebook. They have been foldered and added in a separate section.
American Music 18th Century [notes], undated
Notebook originally in an overstuffed three ring binder with two sections. The second section was arranged alphabetically by composer name. The original order has been maintained with each document placed in a folder. The folder titles reflect the title or content of each document. Some loose notes were inserted in between pages or in the front or back of the notebook. They have been foldered and added in a separate section.
American Music 19th Century [notes], undated
Notebook originally in an overstuffed three ring binder with two sections. The second section was arranged alphabetically by composer name. The original order has been maintained with each document placed in a folder. The folder titles reflect the title or content of each document. Some loose notes were inserted in between pages or in the front or back of the notebook. They have been foldered and added in a separate section.
American Music: 20th Century [notes], undated
Notebook originally in an overstuffed three ring binder with two sections. The second section was arranged alphabetically by composer name. The original order has been maintained with each document placed in a folder. The folder titles reflect the title or content of each document. Some loose notes were inserted in between pages or in the front or back of the notebook. They have been foldered and added in a separate section.
American Music of the 20th Century: [timeline], undated
Notebook originally in an overstuffed three ring binder with two sections. The second section was arranged alphabetically by composer name. The original order has been maintained with each document placed in a folder. The folder titles reflect the title or content of each document. Some loose notes were inserted in between pages or in the front or back of the notebook. They have been foldered and added in a separate section.
American rhapsody, 1931
For band
American waltz, piano solo, 1961
Manuscript scores, business records, and correspondence that reflects AME’s repertoire of new American music by Green, Carl Ruggles, Halsey Stevens, and others, as well as the interactions Green had with many key figures in twentieth-century music, including John Cage, Henry Cowell, Charles Ives, Gunther Schuller, William Grant Still, Virgil Thomson, and many others.
An American bourree, 1955
Manuscript scores, business records, and correspondence that reflects AME’s repertoire of new American music by Green, Carl Ruggles, Halsey Stevens, and others, as well as the interactions Green had with many key figures in twentieth-century music, including John Cage, Henry Cowell, Charles Ives, Gunther Schuller, William Grant Still, Virgil Thomson, and many others.